This portrait of "The Brown Lady" ghost is arguably the most famous and well-regarded ghost photograph ever taken.
The ghost is thought to be that of Lady Dorothy Townshend, wife of Charles Townshend, 2nd Viscount of Raynham, residents of Raynham Hall in Norfolk, England in the early 1700s.
It was rumored that Dorothy, before her marriage to Charles, had been the mistress of Lord Wharton.
Charles suspected Dorothy of infidelity.
Although according to legal records she died and was buried in 1726, it was suspected that the funeral was a sham and that Charles had locked his wife away in a remote corner of the house until her death many years later.Dorothy's ghost is said to haunt the oak staircase and other areas of Raynham Hall.
In the early 1800s, King George IV, while staying at Raynham, saw the figure of a woman in a brown dress standing beside his bed.
She was seen again standing in the hall in 1835 by Colonel Loftus, who was visiting for the Christmas holidays.
He saw her again a week later and described her as wearing a brown satin dress, her skin glowing with a pale luminescence.
It also seemed to him that her eyes had been gouged out.
The next sighting of the "Brown Lady" was made in 1836 by Captain Frederick Marryat, a friend of novelist Charles Dickens, and the author of a series of popular sea novels.
It is said that Marryat requested that he spend the night in the haunted room at Raynham Hall to prove his theory that the haunting was caused by local smugglers anxious to keep people away from the area.
Writing in 1917, Florence Marryat said of her father's experience: …he took possession of the room in which the portrait of the apparition hung, and in which she had been often seen, and slept each night with a loaded revolver under his pillow.
For two days, however, he saw nothing, and the third was to be the limit of his stay.
On the third night, however, two young men (nephews of the baronet), knocked at his door as he was undressing to go to bed, and asked him to step over to their room (which was at the other end of the corridor), and give them his opinion on a new gun just arrived from London.
My father was in his shirt and trousers, but as the hour was late, and everybody had retired to rest except themselves, he prepared to accompany them as he was.
As they were leaving the room, he caught up his revolver, “in case you meet the Brown Lady,” he said, laughing.
When the inspection of the gun was over, the young men in the same spirit declared they would accompany my father back again, “in case you meet the Brown Lady,” they repeated, laughing also.
The three gentlemen therefore returned in company.
The corridor was long and dark, for the lights had been extinguished, but as they reached the middle of it, they saw the glimmer of a lamp coming towards them from the other end.
“One of the ladies going to visit the nurseries,” whispered the young Townshends to my father.
Now the bedroom doors in that corridor faced each other, and each room had a double door with a space between, as is the case in many old-fashioned houses.
My father, as I have said, was in shirt and trousers only, and his native modesty made him feel uncomfortable, so he slipped within one of the outer doors (his friends following his example), in order to conceal himself until the lady should have passed by.
I have heard him describe how he watched her approaching nearer and nearer, through the chink of the door, until, as she was close enough for him to distinguish the colors and style of her costume, he recognised the figure as the facsimile of the portrait of “The Brown Lady”.
He had his finger on the trigger of his revolver, and was about to demand it to stop and give the reason for its presence there, when the figure halted of its own accord before the door behind which he stood, and holding the lighted lamp she carried to her features, grinned in a malicious and diabolical manner at him.
This act so infuriated my father, who was anything but lamb-like in disposition, that he sprang into the corridor with a bound, and discharged the revolver right in her face.
The figure instantly disappeared - the figure at which for several minutes three men had been looking together – and the bullet passed through the outer door of the room on the opposite side of the corridor, and lodged in the panel of the inner one.
My father never attempted again to interfere with "The Brown Lady of Raynham”.
The photo
This famous photo was taken in September, 1936 by Captain Provand and Indre Shira, two photographers who were assigned to photograph Raynham Hall for Country Life magazine.
This is what happened, according to Shira:
"Captain Provand took one photograph while I flashed the light.
He was focusing for another exposure; I was standing by his side just behind the camera with the flashlight pistol in my hand, looking directly up the staircase.
All at once I detected an ethereal veiled form coming slowly down the stairs. Rather excitedly, I called out sharply: 'Quick, quick, there's something.'
I pressed the trigger of the flashlight pistol.
After the flash and on closing the shutter, Captain Provand removed the focusing cloth from his head and turning to me said: 'What's all the excitement about?'"
Upon developing the film, the image of The Brown Lady ghost was seen for the first time.
It was published in the December 1936 issue of Country Life.
What is the truth?
Experts called in by Country Life stated that the photograph and its negative did not appear to have been interfered with!
Since then, however, some critics have claimed that Shira faked the image by painting grease or a similar substance on the lens in the shape of a figure, or by himself deliberately moving down the stairs during an exposure.
Others claim that the image is an accidental double exposure or that light somehow got into the camera.
After this last sighting in 1936, the Brown Lady has not been seen since.
However some claim that the Brown Lady is still present.
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